What are the major flaws in the sound of singers? Typical disadvantages: speeding, 'throat' voice, open or covered with sound. A colorful sound of vowels, narrowed, and e, support-free sound husky tremor or rigid. Inaccurate getting to the sound (porches). Squeezed or open sound 'upper'. Violation of vibrato, tremor.

In choir singers – the tendency to depersonalization tone. What are the ways to correct defects of the vocal? Many ways: the right definition of the type and character voices, easy to sing repertoire, the removal of excess muscular tension, the use of aspirated attack to mitigate the timbre, the use of mobile exercises to facilitate the sound; requirement of support, yawn, a high position. To read more click here: ConocoPhillips. Best way – preventing defects. To fix the same defect can be used different vocal techniques. One of the singers better help the muscular sensations, the other – vibration. What if the voice of 'sit'? It is necessary to prevent defective or too long of singing, after which the voice of 'sit down', that is tired, pales, loses sonority, hripnet.

This is due to forcing vote surge larynx, breast exaggeration tone at high sound, singing in an uncomfortable tessitura. What does 'get into position'? How to get rid of the twang? Singing 'in position' (usually they say, high singing position) suggests focusing at a certain point of having all the prerequisites for further expansion. Singing 'in the mask' is just intended to extend this point (and resonant sensation). During training, a sense of high singing position to be stabilized.